The
Collection
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Introduction
The catalogue was compiled by
Timothy Clayton and Ben Thomas between 1995 and 1999. It contains some
8,000 entries for the prints in the collection bequeathed to Worcester
College by George Clarke (1661-1736). Like the collections of Samuel Pepys
and Henry Aldrich (Dean of Christ Church), Clarke's collection is an important
example of an early modern print collection, and is of particular interest
in that it survives in its original arrangement. The subjects of the prints
reflect Clarke's interests and include views, buildings and gardens, interior
decoration and ornament, portraits, paintings and antiquities. There are
also some unusual satirical and ephemeral items, including a set of South
Sea Bubble cards, two medley prints engraved by George Bickham c. 1706,
and 'The Royall Pass-tyme of Cupid, or a New and most pleasant Game of
the Snake'.
'If
the chief purpose of Clarke's collection was to record works of art and
architecture, it was, nevertheless, dominated by the most esteemed modern
engravers. Critical appreciation of modern prints was an unstable compound
of the quality of the original and the achievement of the engraver: an
appreciation of this balance was most necessary in the eighteenth century,
when paintings were inevitably judged on the evidence of prints. It was
natural therefore that Clarke's collection should be concerned with fine
paintings and fine prints simultaneously. Clarke's preference for fine
interpretative prints over the painters' etchings admired exclusively
in modern days was equally consistent with the critical orthodoxy of his
time
From a collection such as Clarke's, a correct appreciation
of the knowledge and rich visual experience that the eighteenth-century
art lover obtained from his prints can still be recovered' (Timothy Clayton).
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